As Children’s Book Week draws to a close, we wanted to highlight some of the incredibly talented children’s book writers and illustrators who have called Ohio home. Although we don’t have room to list everyone here, you may want to check out the Newbery and Caldecott winners and honorees listed below. Some are classic, some are contemporary…all are great.
- Natalie Babbitt
- Sharon Creech
- Allan W. Eckert
- Virginia Hamilton
- Walter & Marion Havighurst
- Lois Lenski
- Robert McCloskey
- Evaline Ness
- Dav Pilkey
- Mildred D. Taylor
- Brinton Turkle
- Jacqueline Woodson
In addition to biographical files on Ohio authors, the Ohioana Library’s collection includes manuscripts, artwork, correspondence, and more. To celebrate the last day of National Archives Month, we’re highlighting some items from our Lois Lenski collection.
Lenski was born in 1893 in Springfield, Ohio, but soon moved to the small community of Anna. She was a voracious reader throughout her childhood. After graduating from Ohio State University, she studied at the Art Students’ League in New York and the Westminster School of Art in London, England. She began her literary career by illustrating the works of other writers such as Hugh Lofting (author of Doctor Dolittle) and Maud Hart Lovelace (author of the Betsy-Tacy books). The first two books that Lenski wrote herself–Skipping Village in 1927 and A Little Girl of Nineteen Hundred in 1928–were based on her own childhood in Ohio. Lenski went on to write numerous historical and regional novels for young people, and won the Newbery Award for Strawberry Girl in 1946. She died in 1974 at the age of 80.
In the 1930s Lenski began to donate original artwork and other items to libraries, where they would be available to the public. The letter above was written in 1944 to the director of the Ohioana Library, offering to donate pieces from her first two books. The images below show some of these items.
On the left is the cover from a small mock-up of A Little Girl of Nineteen Hundred, showing that the book’s title changed slightly during the development process. The mock-up includes several pages and is hand-stitched. The middle image shows a later version of the same cover, sporting a revised title and finished artwork. On the right is the final cover from Ohioana’s collection copy of the book, which is a later edition. It shows a few more changes, including gold accents and a new publisher. (The original publisher, Frederick A. Stokes, was acquired by J.B. Lippincott in 1943.)
The image below left shows an interior page from the mock-up, including edits handwritten in pencil. At right is the same page from Ohioana’s collection copy.